
Leblanco
Artist

Est. 2023, Calella, Spain
Personalised development, AI-assisted production tools, and publishing and distribution handled end to end — with one named contact from demo to release day.
The short version
Scannata Records exists because the gap between a finished demo and a released record is mostly logistics, and logistics should not cost an artist their catalogue. We take on a handful of acts a year and work them properly — release plans written for one record, not a template applied to forty.
Everything we build for our roster comes back to the same test: does this leave the artist with more control at the end of the deal than at the start? If it does not, we do not sign it.
What the label actually does

01 — Development
You get one A&R contact, their phone number, and a plan written for your record. We take four acts a year because that is how many we can answer within a day. No account managers, no ticketing system, no forwarding you to a partner agency in another country.

02 — Production
A working sample library and a set of AI-assisted production tools, all of it cleared for commercial release. Stem separation, reference-matched mix passes, and a growing bank of samples generated in-house or donated by the roster — no third-party rights attached, nothing to license later.

03 — Release
Full-service publishing and distribution to Spotify, Apple Music, SoundCloud and Tidal, with the registrations actually filed — PRO, mechanical, neighbouring rights. Masters stay in your name. We take a share of what we help earn and nothing else.
Open positions
01
Open
An artist slot for this year. Rap, hip-hop, house, phonk — or something we have not heard yet.
02
Open
You keep your masters. We take a share of what we help earn and nothing else.
03
Open
One track is enough to start. A demo sent on a Tuesday gets an answer by Thursday.







In their words
“I sent three demos to three labels. Scannata replied in a day, with notes on the actual arrangement. The other two never replied at all.”
“They put the release plan on one page and stuck to it. I have worked with distributors who could not manage that in six months.”
“The sample library alone paid for itself. Cleared, documented, no publisher turning up two years later asking questions.”
Open for submissions
One track is enough. A private link, a sentence about what you are trying to make, and where you are based. We listen to everything and we answer, whether it is a yes or not.